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These photos were taken with a toy panoramic camera which cropped in the 35mm film to be more like 110 to achieve the panoramic look. I chose to use this camera which was gifted to me for a project at university after which I cross stitched on top of these photos (printed on tyvek) and pixelated and removed the houses from the photos leaving only the natural landscape left. Cool project but I liked the base photos too!
These photos were taken with a toy panoramic camera which cropped in the 35mm film to be more like 110 to achieve the panoramic look. I chose to use this camera which was gifted to me for a project at university after which I cross stitched on top of these photos (printed on tyvek) and pixelated and removed the houses from the photos leaving only the natural landscape left. Cool project but I liked the base photos too!
From a roll of surprisingly well-preserved Kodak Advantix 400 APS film. I taped a little piece of +2ND filter to the sensor window of an Olympus iZoom 2000 point and shoot to get a little more light to the film and it seems to have helped.
From a roll of surprisingly well-preserved Kodak Advantix 400 APS film. I taped a little piece of +2ND filter to the sensor window of an Olympus iZoom 2000 point and shoot to get a little more light to the film and it seems to have helped.
From a roll of surprisingly well-preserved Kodak Advantix 400 APS film. I taped a little piece of +2ND filter to the sensor window of an Olympus iZoom 2000 point and shoot to get a little more light to the film and it seems to have helped.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
Maryana Klochko is a music producer, vocalist and film composer born in Western Ukraine, based in Kyiv. In her works she often works with the unconscious, through lyrics and vocal parts, she seeks a balance between the real and the fictional. She perceives music as storytelling, finding many visual images in the composition that come to life through sound.
Maryana Klochko is a music producer, vocalist and film composer born in Western Ukraine, based in Kyiv. In her works she often works with the unconscious, through lyrics and vocal parts, she seeks a balance between the real and the fictional. She perceives music as storytelling, finding many visual images in the composition that come to life through sound.
Maryana Klochko is a music producer, vocalist and film composer born in Western Ukraine, based in Kyiv. In her works she often works with the unconscious, through lyrics and vocal parts, she seeks a balance between the real and the fictional. She perceives music as storytelling, finding many visual images in the composition that come to life through sound.
