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my dear friend @Wirklichkeitsverein swapped this Lomochrome Purple with me. She exposed it in Senegal and I doubled it with my LC-Wide in endless panorama mode. I am thrilled by the results and very thankful for this swap! :)
my dear friend @Wirklichkeitsverein swapped this Lomochrome Purple with me. She exposed it in Senegal and I doubled it with my LC-Wide in endless panorama mode. I am thrilled by the results and very thankful for this swap! :)
my dear friend @Wirklichkeitsverein swapped this Lomochrome Purple with me. She exposed it in Senegal and I doubled it with my LC-Wide in endless panorama mode. I am thrilled by the results and very thankful for this swap! :)
Shakif Hussain a.k.a. jenquest shares with us a snapshot of his life in lockdown using the Fantôme Kino B&W ISO 8 Film and talks to us about the challenge of shooting outside of his comfort zone.
I restored a 100 yr old Kodak Vest Pocket Model B folding camera that takes 127 roll film. I also made a cutter that I use to cut down 120 film to 127 size and these are my first pictures using my own 127 cut film. I figured some old building would make appropriate subject matter. I developed these pics in Rodinal 1:50.
This is another re-post from years ago. Again this photo demonstrates the use of unique abilities of a toy camera. I took advantage of the non-indexing film advancement of a Diana F+ to make a multiple exposure while advancing the film in non precise increments that is two 6x6 exposures wide.
a Cinestill 800 Tungsten in a Canon EOS 3000 set on 1600 ASA full of illuminated glass & inspirited beings :) colour filters only used for the water pics, all pics captured with pure natural light.
this film #filmswapworldwide founder Pablo Giori https://www.pablogiori.com/ swapped with me when we met at his precious festival on experimental photography #Exp20 The material is a Kodak Gold 400 exposed on 800 ASA both times.
#FSWW founder Pablo Giori https://www.pablogiori.com/ exposed that film (I think it was a Kodak Gold 200) at a light festival in Barcelona after I exposed it at the harbour of Hamburg. We agree that my layer looks like a good background for his illumination :D
that Lomochrome Turquoise lovely @Bravopires swapped with me. We exposed it with 800 ISO both times. I love these creations and would love to shoot Lomochrome Turquoise again but it's out of stock.. If anyone has a spare one for a swap, please let me know :)
Another loveletter to nature & beauty :) this film is an expired Agfa Precisa 200, cross processed and pushed 1 stop (which was obviously not the best idea). The expired Precisa 200 often comes with these blue & red dots and I love it for this effect. The pictures are made with a Yashica FR 1 set on 400 iso for both exposures. All the love and many thanks to everyone involved! <3
here I tried some double exposure on a Lomography Lady Grey 400 with a Canon EOS set on 1600 ASA for both exposures. Pushed 1 stop. First frame marked & ran through the cam two times as I usually do. Many thanks and all the love to my dear @www.instagram.com/cirquelicious/ !
a Cinestill 800 Tungsten in a Canon EOS 3000 set on 1600 ASA full of illuminated glass & inspirited beings :) colour filters only used for the water pics, all pics captured with pure natural light.
@I_AM_ANIME was so kind to give that roll of Tasma Type-42 L ("expired like hell" he said) to me as a present when we met in Barcelona for #Exp20. Of course it got double exposed! :D I worked with a Lomo LC-Wide and my precious Yashica FR-1 both set on 200 ASA. More light would have been great but that's the way we learn: trial & error, right? ;) Dust, scratches and lightleaks on the negatives are due to some experimental handling which didn't work out well. I'll tell you more about it as soon as I can show it to you :)
That's my very first trial of double exposures on a Washi S and I love that film already for it's superfine grain and that slight feeling of roughness it gives to me at the same time. For development I gave it to a lab and I am not sure what they did to the film.. I asked for pushing but I'm not sure if they pushed it as it is really dark.. Anyway, here is what I did: I exposed this Washi S 50 ISO in a Yashica FR-1 for the nature macros and in a Canon EOS for the architecture. Both cameras set on 200 ASA :)
here I tried some double exposure on a Lomography Lady Grey 400 with a Canon EOS set on 1600 ASA for both exposures. Pushed 1 stop. First frame marked & ran through the cam two times as I usually do. Many thanks and all the love to my dear @www.instagram.com/cirquelicious/ !
since the Lomochrome Metropolis is recommended for urban and portrait photography I was just so curious if it would behave on a stroll in the woods :) It did behave very well and so finally I treated it with some urban shots. This project is realized with an Exakta HS-10 set on 400 ASA and a splitzer :)
Another loveletter to nature & beauty :) this film is an expired Agfa Precisa 200, cross processed and pushed 1 stop (which was obviously not the best idea). The expired Precisa 200 often comes with these blue & red dots and I love it for this effect. The pictures are made with a Yashica FR 1 set on 400 iso for both exposures. All the love and many thanks to everyone involved! <3
Photographer Dan Whalley, better known as instant.observations on Instagram, has been documenting the rugged landscapes of Britain with Instant film. We talked to him about passion for Instant photography and why he chooses to shoot with the Lomo'Instant Square Glass.
I always wanted to make this Lomo-Rama into a Tiny Planet. Actually i want to try it analouge in the darkroom don't know if it works. So this is an digital draft, though!
Did you know? Legendary guitarist and songwriter Brian May from Queen is one of the number one enthusiasts when it comes to stereo photography. and we managed to sit down and talk to the rockstar for an exclusive interview.
