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Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Light leaks are generally not pleasant, but I find that on this development, it gave interesting results. the fade to white brings a fantastic, ghostly touch to certain shots. Well, I will still have to fix this problem with the camera!
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
Is it because of my process, the quality of the film or another reason ? Whatever, pushing the Ilford HP5 from 400 to 800 iso is not a total success: the grain is incredibly present , it gives a low-fi resolution that I didn't have with the same camera, and Lomo Lady Gray pushed the same way.
